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Music
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First-Year Studies: Music and Technology
The Music of J. S. Bach
Music of Transcendent Experience
Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
Theory I: Materials of Music
Theory II: Basic Tonal Theory and Composition
Advanced Theory: Advanced Tonal Theory and Analysis
Advanced Theory: Jazz Theory and Harmony
Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
Hearing and Singing
Basic Aural Skills
Intermediate Aural Skills
Sight Reading for Instrumentalists
20th-Century Compositional Techniques
Orchestration
Introduction to Electronic Music and Music Technology
MIDI: Sequencing, Recording, and Mastering Electronic Music
Studio Composition and Music Technology
Survey of Western Music
Keyboard Literature
Mozart and Beethoven: Music from 1720-1810
Debussy and the French School
The Music of J. S. Bach
Music of Transcendent Experience
Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
Jazz History
Women’s Vocal Ensemble
Chamber Choir
The Blues Ensemble
Jazz Colloquium
Jazz Performance and Improvisation Workshop
Jazz Vocal Ensemble
Diction for Singers
Jazz Vocal Seminar
Self-Discovery Through Singing
Seminar in Vocal Performance
So This Is Opera?
Studio Class
African Classics of the Post-Colonial Era
Bluegrass Performance Ensemble
Gamelan Angklung Chandra Buana
West African Percussion Ensemble Faso Foli
Awareness Through Movement® for Musicians
Baroque Ensemble
Chamber Music
Chamber Music Improvisation
Experimental Improvisation Ensemble
Conducting
Evolution of a Performance
Guitar Class
Guitar Ensemble
Keyboard Lab
Sarah Lawrence Orchestra
Sarah Lawrence String Orchestra
Senior Recital
Violin Master Class
Concert Attendance/Music Tuesdays Requirement
The Cygnus Ensemble: Artists-in-Residence
Master Class
Music Workshop
The Music of J. S. Bach
This is a course from a previous year.
View the current courses
Martin Goldray
Component
See course description under Seminars and Lecture.
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Music courses
Advanced Theory: Advanced Tonal Theory and Analysis
Advanced Theory: Jazz Theory and Harmony
Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music
African Classics of the Post-Colonial Era
Awareness Through Movement® for Musicians
Baroque Ensemble
Basic Aural Skills
Bluegrass Performance Ensemble
Chamber Choir
Chamber Music
Chamber Music Improvisation
Concert Attendance/Music Tuesdays Requirement
Conducting
Debussy and the French School
Diction for Singers
Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power
Evolution of a Performance
Experimental Improvisation Ensemble
First-Year Studies: Music and Technology
Gamelan Angklung Chandra Buana
Guitar Class
Guitar Ensemble
Hearing and Singing
Intermediate Aural Skills
Introduction to Electronic Music and Music Technology
Jazz Colloquium
Jazz History
Jazz Performance and Improvisation Workshop
Jazz Vocal Ensemble
Jazz Vocal Seminar
Keyboard Lab
Keyboard Literature
Master Class
MIDI: Sequencing, Recording, and Mastering Electronic Music
Mozart and Beethoven: Music from 1720-1810
Music of Transcendent Experience
Music of Transcendent Experience
Music Workshop
Orchestration
Sarah Lawrence Orchestra
Sarah Lawrence String Orchestra
Self-Discovery Through Singing
Seminar in Vocal Performance
Senior Recital
Sight Reading for Instrumentalists
So This Is Opera?
Studio Class
Studio Composition and Music Technology
Survey of Western Music
The Blues Ensemble
The Cygnus Ensemble: Artists-in-Residence
The Music of J. S. Bach
The Music of J. S. Bach
Theory II: Basic Tonal Theory and Composition
Theory I: Materials of Music
20th-Century Compositional Techniques
Violin Master Class
West African Percussion Ensemble Faso Foli
Women’s Vocal Ensemble
Related pages
Undergraduate Music
Creative and Performing Arts
Related News: Creative and Performing Arts
Trevor Wallace ’13 appears on
The Late Show with David Letterman
The New York Times
profiles choreographer Pam Tanowitz MFA '98
Alumna and journalism pioneer Barbara Walters announces 2014 retirement
Brian Morton '78, Director of the Graduate Writing Program, writes about Proust in
The New York Times
The Los Angeles Review of Books
calls Alex Dimitrov MFA '09 a vital new energy in American poetry
Debussy and the French School
Music of Transcendent Experience