First-Year Studies: Music and Technology The Music of J. S. Bach Music of Transcendent Experience Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power Theory I: Materials of Music Theory II: Basic Tonal Theory and Composition Advanced Theory: Advanced Tonal Theory and Analysis Advanced Theory: Jazz Theory and Harmony Advanced Theory: 20th-Century Theoretical Approaches: Post-Tonal and Rock Music Hearing and Singing Basic Aural Skills Intermediate Aural Skills Sight Reading for Instrumentalists 20th-Century Compositional Techniques Orchestration Introduction to Electronic Music and Music Technology MIDI: Sequencing, Recording, and Mastering Electronic Music Studio Composition and Music Technology Survey of Western Music Keyboard Literature Mozart and Beethoven: Music from 1720-1810 Debussy and the French School The Music of J. S. Bach Music of Transcendent Experience Ethnomusicology of Africa, Asia, and the Middle East: Structures of Music, Structures of Power Jazz History Women’s Vocal Ensemble Chamber Choir The Blues Ensemble Jazz Colloquium Jazz Performance and Improvisation Workshop Jazz Vocal Ensemble Diction for Singers Jazz Vocal Seminar Self-Discovery Through Singing Seminar in Vocal Performance So This Is Opera? Studio Class African Classics of the Post-Colonial Era Bluegrass Performance Ensemble Gamelan Angklung Chandra Buana West African Percussion Ensemble Faso Foli Awareness Through Movement® for Musicians Baroque Ensemble Chamber Music Chamber Music Improvisation Experimental Improvisation Ensemble Conducting Evolution of a Performance Guitar Class Guitar Ensemble Keyboard Lab Sarah Lawrence Orchestra Sarah Lawrence String Orchestra Senior Recital Violin Master Class Concert Attendance/Music Tuesdays Requirement The Cygnus Ensemble: Artists-in-Residence Master Class Music Workshop